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Opportunities Lost and Found



Let me take you back several decades....Newsweek Magazine came to our fair city to do a story on culture in Rockford, Illinois. They were going to get the job done in two days. On the last day they called my home to do an interview. My 15 year old daughter answered the phone. When the reporter asked to speak with me Rebecca informed him that her father was away at his studio (Emmert's Farm). When asked if he could have the phone number at my farm studio she told him there was no phone at this remote place and i would not be home till Saturday evening. Well that was the end of the interview idea. When i arrived home my daughter told me that some guy from a magazine had called and she related the conversation. I was somewhat upset and told her she should have had her mother drive out to the farm and let me know and i would have gladly dropped my brushes
and hurried home for the interview since it would be a great way to reach a national audience. That was an opportunity lost.

On another occasion the editor of the American Artist Magazine saw my painting that was included in the Arts For The Parks Top 100 in Jackson Hole Wyoming and called me to ask for my written permission to use it on the cover of the magazine. Of course i said yes and sent the permission. I was looking forward to seeing my painting on the next issue. Just before publication he called and apologized that one of the layout artists had disagreed with his choice and wanted to grace the cover with an American Eagle that would be a much stronger emage on the news stand. The artist was non other than the great Carl Brenders. I had to admit that it surely was much more powerful than my landscape of the Buffalo River. They did insert a small image of my painting inside the magazine..... Another opportunity lost.

Then another call came from the Art Calendar Magazine. The editor wanted to use a painting that i did of the interior of my studio at Emmerts Farm. She had come across it on my web site. I said i would be honored.
This opportunity did come to fruition and i received a great deal of response from across the nation....Opportunity WON.

About three weeks ago i was contacted by the Artists Magazine with a request to use my painting titled Native on the cover. Again i was pleased but a day or two later i received an email asking for a better image. They needed more detail for a cover image. I took my image to Photo Shop and made it much larger and quickly sent it to the publishing house. Again i received another email patiently explaining that making the image larger did not improve the quality of the pixels on the image but thanks anyway for trying. The original had been sold and was in another city so i figured ANOTHER opportunity lost. I chided myself for several days for not being more business-like in making better high quality photographs of my work. Being ready for success when the opportunity presents itself plays a large part in recognition for any artist. But all was not lost after-all. a week passed and i received another email saying that they didn't want to pressure me but, was i having any luck with a better image.
I was shocked...i thought they had decided not to use my painting. I called a photographer friend of mine and told him of my dilemma. He said "no problem pal, I can make that image of yours as fine as they want it".....and he did and the magazine said he sent a great image that would reproduce beautifully.                                                     

Now at this stage of the game I no longer take it for granted that my painting will be on the cover of The Artists Magazine until i see the May issue but so far its looking like a good possibility.
 

19 Responses to Opportunities Lost and Found

Sherry
via tomheflin.com
Excellent article done on missed opportunities, however, when one door closes another will open when you have the kind of talents you have!

TOM HEFLIN
via tomheflin.com
Thanks Sherry....If one can keep from being discouraged by the closed door then one can hopefully be ready when that next door opens.

Sherry
via tomheflin.com
You got it my Friend.....Thats the key to contentment!!

Barbara Sadtler
via tomheflin.com
Let me know if this comes to fruition. I will be pleased to make an announcement. If they need a better shot, Evan has an excellent digital camera and would be happy to help us out.

tom heflin
via tomheflin.com
thanks barbara...the "artist's magazine" is on the news stand and has a detail of "native" on the cover and a story and full image of the painting on the last page. (barbara is the owner of the cover image "native") she has been a great friend and collector of my work.

Paula
via tomheflin.com
I just found your website because I was so impressed with your 'Native' painting on the cover of the Artist's magazine. Whatever troubles you had in process, I have to think you're happy with the results. It's beautiful!

tom heflin
via tomheflin.com
paula....thank you very much. the "troubles" you speak of is part of the process when painting intuitively. we put something on the canvas and it calls for a counter balance in color, line or mass. so it becomes a case of problem solving. for instance "native" didnt have a figure in it untill the very end. you probably already knew how this kind of painting evolves but this explaination might be interesting to others...tom

Paula
via tomheflin.com
Hi Tom,
This must be why I don't post on blogs much, or probably shouldn't - I didn't make myself very clear! I meant your 'troubles' getting the photos to the magazine!
Thanks for the explanation of how you paint, though! Painting intuitively explains the wonderful energy in your work. And I would not have thought you added the figure last to 'Native'. That's interesting..thank you!

-Paula


tom heflin
via tomheflin.com
my mistake paula...should have re-read my own blog.

Curtis Verdun
via tomheflin.com
Thanks Tom, for these inspiring stories. It's very true that luck has to be preceeded by preparation. On the note of archiving works, I also have so many works that I either have no record of, old negatives, slides or snapshots, or low-quality digital images. I now have a high-res camera and I still I shoot multiple sectional shots and digitally stitch them together. Now I'll always be able to see all the fine detail of all my paintings long after they're sold. And this also allows for very large reproductions.

tom heflin
via tomheflin.com
curtis....you are evidently much better at keeping things in order. i also take good digital images of my paintings now than i did in the past but still there are occasions when i let a few paintings go before i get around to shooting them. was reading one of your blogs noting that you are a louisianna boy. i received a football scholarship from the university of louisianna at monroe. we started practice in august and i thought i was gonna die. our living quarters were under the stadium which was a wonderful conductor of heat especially if you had an upper bunk.so not only on the field but also at night we would swelter. however i still love louisianna especially the untamed swamps.

Sherry Arkansas
via tomheflin.com
Hey Tommers, does that qualify you as a cajun? giggle

tom heflin
via tomheflin.com
no, but having a couple on our team was a plus.
are you still blogging? havent seen any lately.

Curtis Verdun
via tomheflin.com
Now, Tom, I didn't mean to imply that I had a perfect "system" going. I still make my share of mistakes. Nor did I mean to imply to that you didn't have a good system. Your post was obviously referring to the somewhat distant past. I was just relaying my thoughts on what we all inevitably go through; lots of regret followed by improvements in our practices.

I haven't spent much time in Monroe. Here we get hot, as well. But in addition, we have very high humidity. Some jokingly report it as 110 percent humidity. But yeah, the swamp thrives in this environment.

Gary Keimig
via tomheflin.com
very interesting blog. Great work. Have you discontinued it?

tom heflin
via tomheflin.com
gary....thanks for your thoughts. sure looks like my blog has vanished but i'm in the final stages of finishing paintings for my october show so have not done a good job keeping up with my blogging. i will however make an effort to do better real soon. maybe i will explain how much time putting on a show consumes a "one man band"
all my children have moved away so that means i have to do it all by myself. it can be done but one doesnt have much time for anything else. thanks again for checking in.....tom

Sherry
via tomheflin.com
Merci Tom, you do get around....lov your artistry as well as your writings......Wouls like to know about the ermert name on farm,
Think there might be an interesting story there.

John Mazur
via tomheflin.com
I have an old oil painting that i would like to get some info on it if possible. It is a 2 Feet by 3 feet oil painting in a frame. The painting is of a round beige vase with a cluster of flowers which could be roses. The artist singed it " Tom " in the bottom right hand corner.

If anyone can help me in giving me some idea about the painting i would really be pleased.


Thanking you in advance

John Mazur

tom pat heflin
via tomheflin.com
john....that wouldnt be one of mine. i mostly use my last name but never just the first...tom









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